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M&K ¦b1973¦~¥H¿ý­µ°_®a,³Ð¥ß¤F·í¦~²Ä¤@®yLPª½¨è¿ý­µ«Ç(RealTime¿ý­µ«Ç), ¨Ã§JªA¤F³\¦h§Þ³N§xÃø, ¥H¿W¯Sªºª½¨è¿ý­µ§Þ³N, µo¦æ¤F³\¦hµo¿NLP. ¤°»ò¬Oª½¨è¿ý­µ? ´N¬O¦b¿ý»s±M¿è®É, ½Ðºt«µªÌ·í³õ¦b¿ý­µ«Çºt°Û, ¦pªG¦³10­ººq¦±, «hºt°ÛªÌ­n¤@³s±N10­ººq¦±°Û§¹, ²V­µ®v«h¦b²{³õ¤@Ãä¿ý»s¤@Ãä¾Þ§@¾¹§÷¶i¦æ²V­µ, ³o¦b·í®Éªº§Þ³N¤W¨Ó»¡¦³³\¦h§xÃø, µy¦³¤£·V, ¾ã½Lª½¨è¿ý­µ´N¥\±Ñ««¦¨, ³o¦³¤@ÂI¹³¬O²{¦bªº²{³õºt°Û·|¤@¼Ë, ¤£¦Pªº¬O§Y¨Ï§Q¥Î²{¥Nªº¿ý­µ§Þ³N¨Ó»s§@³o¤@Ãþµo¿N³nÅé, ÁÙ¬O¨ã³Æ«Ü°ªªº§xÃø©Ê. ¦b·í®É, M&K»s§@¤F¤@¨t¦C¥Î©óª½¨è¿ý­µªº¯S»s³Á§J­·»P²V­µ¾¹, ¾ã®M³]³Æ»ù­È150,000¬ü¤¸, M&Kªºª½¨è¿ý­µ§Þ³N, ³y´N¤F»D¦WªºFor DukeÀï¤h±M¿è, ¦Ü¤µ¦¹±M¿èÁÙ¬O³Q°ê¥~µûų¬°·¥«~LP¿ý­µ. ¦b70¦~¥N¥½´Á, M&K¤S§ë¤J¤F¼Æ½X±Ä¼Ë¿ý­µªº¬ã¨s, ¨Ã¥B§ï³y¤F¯Á¥§16bit¼Æ½Xµª¿ý¾÷, ¦¨¥\ªº±a»â¬ü°ê¨âÁn¹D¿ý­µ¶i¤J¼Æ½XCD®É¥N, ¦b¬ü°ê²v¥ýµo¦æ¤F²Ä¤@±iCD. ª½¨ì¤µ¤Ñ, M&K¦bSkip Sayor¿ý­µ«ÇÄ~ÄòµÛ¥Lªºª½¨è¿ý­µ§Þ³N¬ã¨s, ¨Ã¥B¤w¸gµo¦æ¤F20¦h±i­µ½è¶W¸sªºµo¿NCD.

 
M&KªºRealtime¿ý­µ«Ç¦b1982¦~µo¦æ¤F¥þ¬ü²Ä¤@±iCD,±a»â·~¬É¶i¤JCD¼Æ½X®É¥N.  ·í®É¬ü°ê³ø¯Èµoªíªº®ø®§

¶W§C­µ¤§¤÷¦b70¦~¥N, ¥@¬É¤WÁÙ¨S¦³¥ô¦ó­µ½c¥i¥H§¹¾ã­«¼½For Duke±M¿èùØÀYªº¶W§C­µ, ©ó¬OKen Kreisel¶}©l¶i¤J»s³y°ª©Ê¯à­µ½c»P¶W§C­µªº¬ã¨s, ³Ì«á»s³y¤F¥@¬É¤W²Ä¤@Áû¶W§C­µ³æ¤¸¨Ã¥B¨î©w¤FM&Kªº­µ½c+¶W§C­µªº§Þ³N¥­»O. ³Ì«á³o®M§Þ³N¥­»O¥H²£«~ªº§Î¦¡¥X²{, À°§U¤F·í®É³\¦h¿ý­µ«Ç¹ê²{¨ã³ÆÁ{³õ·Pªºª½¨è¿ý­µ.  §ó¦b1977¦~±À¥X¤F¥@¬É¤W²Ä¤@Áû¥D°Ê¦¡¹q¤l¤ÀÀW¶W§C­µ.

¾ÉºÞ¦¡°ª­µ¤§¤÷

¦b¦¨¬°¶W§C­µªº»â¾É¼t°Ó¤§«á, 90¦~¥NM&K»E¶°¤F¶¯«pªº¿ý­µ§Þ³N, ¬°¸Ñ¨M­µ½c°ª­µ³æÅ饢¯u¹ï©ó¿ý­µ«~½èªº¯}Ãa, ¨M¤ß¬ãµo¶W§C¥¢¯uªº°ª­µ³æ¤¸, ¨Ã¥B±N³oºØ§Þ³N¶i¦æ¶q²£¹B¥Î©ó¤@¯ë»ù¦ìªº­µ½c, M&K©Ò¬ãµoªº¶W§C¥¢¯u°ª­µ³æ¤¸ºÙ¬°Transmission Line Tweeter ½u©Ê¶Ç¿é°ª­µ³æ¤¸, ¤SºÙ¤§¬°¾ÉºÞ¦¡°ª­µ³æ¤¸. ³oºØ°ª­µ³æ¤¸¯à¥H·¥§Cªº¥¢¯u­«¼½¦UºØ¼Ö¾¹©Ò¯à²£¥Íªº°ªÀWÅTÀ³, ­ì²z¬O¦b°ª­µ®¶¬Ö¤§«á¥[¤W¤@±ø²Óªøªº¾ÉºÞ, ¾ÉºÞ¸g¹Lºë±K­pºâÀ£¼Ò¦¨«¬, ¨Ã¥B¤_1992¦~¦¨¥\ªº¶q²£. ³o¶µ­²©R©Êªº§Þ³N»P³]­p²z©À«á¨Ó¦¨¬°³\¦h­µ½c¼t¼Ò¥éªº¹ï¶H, ¨Ãµ¹¤©¦U¦¡¦U¼Ë¤£¦Pªº¦WºÙ.

¹ï©ó¦hÁn¹D¼v°|ªº°^Äm

¦­¦b70¦~¥N, M&K´N°w¹ï¨âÁn¹D´£¥X¤F¶W§C­µ¥²¶·³æ¿WºÞ²zªº·§©À, ¨Ã¥B¦¨¥\ªº¬ã»s¦¨¨t²Î²£«~±À¥X¥«³õ, ¦b·í®É, M&K¤]¬O¥@¬É¤W²Ä¤@®a¤½¥q°Ñ»P¤FTHXªº¾÷¨î»{ÃÒ, ¦¨¬°·í®É²Ä¤@®a³q¹LTHX»{ÃÒªº­µ½c»s³y¼t, ¨ì¦p¤µ³ìªv¿c¥d´µTHX¤½¥q¤@ª½§âM&K­µ½c·í§@°Ñ¦Ò­µ½c, ¦¨¬°²£·~¬ÉTHX­µ½cªº°Ñ¦Ò¼Ð·Ç.  

³o¹ï©ó«á¨Óªº¦hÁn¹D®æ¦¡ªº¨î©w¼vÅT«Ü¤j, ¯S§O¬O90¦~¥Nªì´Á§ù¤ñ¹êÅç«Ç¬ãµo¯u¥¿ªº5.1¦hÁn¹D®æ¦¡AC-3®É¥[¤J¤F¦hÁn¹D§C­µºÞ²z¾÷¨î, ¦bAC-3(´N¬O²{¦bªºDolby Digital)¬ãµo¹Lµ{, ´X¦ì§ù¤ñªº®Ö¤ß¤uµ{®v¦b³ìªv¿c¥d´µ¼v·~THXªºSkyWalker¿ý­µ«ÇÅ¥¨ì¤FM&Kªº5000THX­µ½c¨t²Î, ¹ï¨äÀu²§ªº¹q¼v»P­µ¼Öªº­«¼·©Ê·¥¨ä±ÀÂË, ³Ì«áÁʶR¤F¾ã®M5000THX­µ½c¨t²Î·í¦¨¥L­Ì¬ãµoAC-3®Éªº°Ñ¦Ò­µ½c, ¨ì²{¦bM&KªºS-150¨t²Î¦¨¬°§ù¤ñ¹êÅç«Çªº¼Ð·Ç°t³Æ, ¦ì©ó¥þ¥@¬Éªº¦U¦aªº§ù¤ñ¹êÅç«Ç³£«ü©w°t³ÆM&K S-150­µ½c, ¦b¤¤°êªº¤W®ü§ù¤ñ¹êÅç«Ç¤]°t¸m¤F³o®M¨t²Î. «á¨ÓDTS¤]±Ä¥Î¤FM&K­µ½c¨t²Î·í¦¨¥L­Ìªº°Ñ¦Ò­µ½c. 

Dolby, DTS, THX ³o¤T®a­«¶q¯Å¦hÁn¹D®æ¦¡¬ãµo¤½¥qªºÁp¤â±ÀÂË, M&K¦¨¬°²£·~¬É¦hÁn¹D¨t²Îªº¼Ð·Ç, ¦]¬°¦p¤µ°t¸m©ó¥@¬É¤W´X»õ³¡®a¥Î¥\©ñ, DVD¾÷ùØ­±ªº¦hÁn¹D¸Ñ½X´N¬O¨Ï¥ÎM&K­µ½cºÊÅ¥¬ãµo¦Ó¥X. ©Ò¦³ªº¦hÁn¹D¹q¼v§ó¬O¥HDolby, DTS»PTHX¼Æ½X­µ®Ä³B²z¦Ó¿ý»s. 

²{¦b¬ü°êÁp¨¹HDTV°ª¸Ñ¹³¹qµø©e­û·| FCC Advanced Television Standards Committee ¦b¥L­Ìªº¹êÅç«Çùؤ]¨Ï¥Î¤FM&K­µ½c¨t²Î¬°°Ñ¦Ò, ¦V¥@¬É¦U¦a±À¼s¬ü°êªºHDTV¼Ð·Ç.

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1969
¡@ Ken Kreisel is teenage audiophile and recording engineer. Ken teams up with Jonas Miller who has opened the world¡¦s first high-end audio salon: Jonas Miller Sound of Beverly Hills, 90210
·íKen KreiselÁÙ¬O¤@¦W¦~»´ªº¿ý­µ®v©Mµo¿N¤Í®É,¥L©MJonas Miller²Õ¦¨¤F¹Î¶¤.¥@¬É²Ä¤@­Ó°ª¯Å­µÅT©±Jonas Miller Sound´N¬O¥L¦b¬ü°êªº¤ñµØ§Q¤s¶}³Ðªº!
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1973
Making audio history: Ken Kreisel designs the first M&K Subwoofer for the mixdown of Stteely Dan¡¦s Pretzel Logic album This becomes the first M&K Speaker EVER SOLD!


§ïÅÜ­µÅT¾ú¥v:¬°¤FStteely Dan¡¦s Pretzel Logic¤jºÐªº²V­µ,Ken Kreisel ³]­p¤F²Ä¤@ÁûM&K¶W§C­µ.³o¤]¬O¥@¬É²Ä¤@ÁûM&K³â¥z
!

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1974

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M&K Sound founded in Beverly Hills, CA!

Miller Jonas»PKen Kreisel¤@°_¦b¬ü°ê¥[¦{ªºBeverly Hills¦¨¥ßM&K Sound, ¨Ã¥HRealTimeªº«~µP¿ý»sµo¦æLPªº°ª«O¯uª½¨è¿ý­µ.
(¥k¹Ï¥ªÃä¬OMiller, ¥kÃä¬OKreisel)

¡@

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1976

  First M&K Direct-To-Disc recordings: Blu and Blu Jam

¥@¬É²Ä¤@±iM&Kª½¨è¿ý­µ­±¥@¡GBlu and Blu Jam

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1976

 
Again making audio history,M&K markets the First "Satellite-Subwoofer"combination, The "David and Goliath" System

M&K¥¿¦¡±À¥X²Ä¤@¹ï­µ½c+¶W§C­µ²Õ¦X"David & Goliath"

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1978

  In 1977 M&K debuts the World¡¦s very first
¡§Powered¡¨ Subwoofer! This model was called
the ¡§Volkswoofer.¡¨ The validity of this concept
is evident today as virtually all subwoofers by
all manufacturers are self-powered

M&Kµo©ú¤F¥@¬É¤W²Ä¤@Áû¥D°Ê¦¡¶W§C­µ, ¦WºÙ¬°Servo Volkswoofer, ¨Ã¥B±À¥XS-1­µ½c.

 
M&K open the FIRST direct-to-disc recording facility.

M&K¦b¬ü°ê¥[¦{¥¿¦¡¦¨¥ß¤F¥@¬É¤W²Ä¤@®yLPª½¨è¿ý­µ«Ç
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1978

  M&Kµo¦æ¤FFor DukeÀï¤h¤½À諾¨è¿ý­µLP! ¦¹±M¿è¨ì¤µ¤ÑÂͳsT.A.Sµo¿Nº]20¦h¦~.  
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1979

The late 70's and 80's were exciting times at M&K. Ken Kreisel exhibited at trade shows and continually amazed the visitors and skeptics, winning over new audiences, fans, and loyal customers.

M&K¦b¼w°ê»PPhilharmonia Hungarica¶}©l±Ä¥Î¼Æ½X¿ý­µ§Þ³N.

M&K±À¥X¥@¬É²Ä¤@½Ldbx-encoded LP.

¤C¤Q¦~¥N¥½©M¤K¤Q¦~¥N¹ïM&K¨Ó»¡¬O¨ë¿Eªº¦~¥N¡I
Ken Kreisel ¦b®iÄý·|¤W¤£Â_ªº¥OÅ¥²³¼Û¬°Æ[¤î¡I
«Ø¥ß¤F¤@À°M&K©¾¹êªº¾ÖÅ@ªÌ©M«È¤á¡I

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1980

M&K ³Ð·sªº½Ã¬P³â¥z¥[¶W§C­µªº²z©À¡A¥O¶Ç²Î¸¨¦a½c³â¥z¥«³õ¬°¤§¾_Åå¡IKen Kreisel¤£Â_ªº¥Ü½d©MÁ¿¸Ñ¡A
¤£¦ý§l¤Þ¤FÅ¥²³¡AÁÙ¦b°Ó·~¤W¦¨¥\¤F¡I
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1982

M&K RealTime Records is the FIRST label to release Compact Discs in the United States. These recordings are all DIGITAL recordings

M&Kµo¦æ¤F¥þ¬ü²Ä¤@±i
CD¿ý­µ(½s¸¹RT-2001
»PRT-2002)

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1988

MX-1000¶W§C­µÀò±oCES Design & Engineering¤j¼ú
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1989

M&K Introduces a new standard in subwoofer
technology: Push-Pull drivers, used in the MX
Series. This is achieved by mounting the driver in
the bottom of the cabinet backwards and wiring it
backwards as well. Doing so causes both speakers
to move in the same direction with one of the drivers
physically inverted. The result is cleaner, tighter and
more musical bass reproduction, with less harmonic
distortion and improved linearity

M&K¬ãµo¤FPush-Pull Dual-DriverÂù±À®¾¶W§C­µ
§Þ³N,¨Ã¸Ë¸m¦bMX-2000¶W§C­µ¤W.

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1989

¡@ The introduction of a three-tweeter array, (in the S-100B) coupled with the unique Phase-Focused crossover set a precedent in the industry for accuracy, clarity, and focus. The three tweeters give tremendous added available headroom necessary for accurate transients, while the phase focusing ensures the three tweeters and the two 5-1/4" drivers present a single, coherent, unified musical source to the listener

M&Kµoªí¤F¥@¬É¤W²Ä¤@´Ú¨Ï¥Î°ª­µ°}¦C¨t²Îªº­µ½c S-100.

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1990

³\¦hM&K­µ½c+¶W§C­µ¬¶Àò±oHi Fi Grand Prix¤j¼ú.
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1990

This rare historical picture shows
Vice President Chuck Back,
CEO Ken Kreisel,
Dr. Lester Fields, and Jonas Miller

³o±i¾ú¥vªº·Ó¤ùùئ³¡G
°Æ¥òµô Chuck Back,
°õ¦æ©x Ken Kreisel,
Lester Fields³Õ¤h, ©M Jonas Miller

¡@
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1990

While this picture shows a reflective moment at the end of a long day at Jonas Miller Sound in Beverly Hills

³o±i·Ó¤ù¤Ï¬M¤F¦b¤ñµØ§Q¤sªºJonas Miller Sound

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1991

¡@ M&K introduces the industry's first compact,
high-performance subwoofer ¡X the MX-70

M&Kµoªí¤F¥@¬É¤W²Ä¤@´Ú®a¥Î¤p«¬°ª©Ê¯à¶W§C­µMX-70.

 
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1992

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M&Kµo©ú¤F²£·~¬É²Ä¤@´ÚTransmission Line Tweeter½u©Ê¶Ç¿é°ª­µ³æ¤¸, ¤SºÙ¾ÉºÞ¦¡°ª­µ, ¦¨¬°³\¦h­µ½c¼t¼Ò¥éªº¥Ø¼Ð.
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M&K Introduces the first THX approved subwoofer, the MX-5000
¡@

M&K»PTHX¦X§@, ±À¥X¥@¬É¤W²Ä¤@²Õ³q¹LTHX»{ÃÒªº­µ½c
(S-5000¥D­µ½c, SS-500¤@Àô¶­µ½c, MX-5000¶W§C­µ)

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1993

¡@
¡@ Dolby Labs uses M&K speakers to design and develop the Dolby Digitalformat

§ù¤ñ¹êÅç«Ç±Ä¥ÎM&KS-5000­µ½c»PMX-5000¶W§C­µ, ¬ãµoAC-3 Dolby Digital¦hÁn¹D½s½X§Þ³N.

¡@ §ù¤ñ¹êÅç«Ç±Ä¥ÎM&K S-5000­µ½c»PMX-5000¶W§C­µ, ¬ãµoAC-3 Dolby Digital¦hÁn¹D½s½X§Þ³N.
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1995

¡@ M&K Introduces the S-150 THX
Ultra High Performance
Ultra Low Distortion
Superior detail and imaging
Three-tweeter array for tremendous headroom
Sealed Enclosure design correctly couples with sub
THX? Ultra Certified
¡@ M&Kµoªí¤FµÛ¦WªºS-150­µ½c,ÀH§Y¦¨¬°
¥þ¥@¬É¦U¤j¿ý­µ«Çªº¼Ð·Ç°Ñ¦Ò°t³Æ.
·¥°ªªº©Ê¯à
·¥§Cªº¥¢¯u
¶W¯u¹ê²Ó¸`©Mµ²¹³
¤T¦C¦¡ªº°ª­µ¦³·¥¦nªº3Dµ²¹³¤O
±K³¬¦¡ªº³]­p©M¶W§C­µ¬O¤Ñ¥Íªº¤@¹ï
THX Ultra»{ÃÒ
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1996

  M&K Invents the TRIPOLE? Surround
Featuring the imaging and clarity of a FRONT
firing speaker, with the spacious envelopment of
a DIPOLE, and the inherent increased output,
the Tripole series are clearly the best of both,
an audio win-win situation!'

M&Kµo©ú±M§QªºTRIPOLE?¤T¦VµoÁnÀô¶§Þ³N,
¨Ã±À¥X²Ä¤@´Ú¨Ï¥ÎTripole§Þ³NªºÀô¶
­µ½cSS-150.

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1996

  M&K PROFESSIONAL is launched as a separate division
with a dealer network specifically capable of assisting
professional customers with their unique needs.

M&K PROFESSIONAL¦¨¬°¿W¥ßªº³¡ªù¡A¬°±M·~«È¤á´£¨Ñ±M·~ªº»Ý­n¡I

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1997

¡@
First INWALL speaker introduced (SW-85)

M&Kµoªí¤F²£·~¬É­º´ÚºÊÅ¥¯Åªº¤JÀ𦡭µ½cSW-85.

The world's most prominent studios,producers,directors, engineers, sound designers and mixers use M&K Professional products to create their soundtracks, CD's, DVD's, live musical events,and broadcasts. THEY use M&K to insure the detail and accuracy of their mixes: YOU can use M&K to hear it the way it was INTENDED to be heard in the studio, in your own home!

M&K¦¨¬°¥@¬É¤W³»¯Å¿ý­µ«Ç©Î¬Oºt¼½«Çªº«ü©w¥Î½c, ¥Î¨Ó»s³y¹q¼vÁn­y,CD, DVDµ¥µ¥ªº°Ñ¦Ò¨t²Î. ±z¥i¥H¨Ï¥ÎM&K­µ½c±N³o¤@¨Ç¿ý­µ»P­µ®Ä¦b§A®aùØÁÙ­ì¥X¨Ó!

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1998

  "We selected Miller & Kreisel speakers to create the Star Wars Episode I soundtrack and they proved to be the most accurate and best-sounding monitors we have ever used.¡¨

¤[¹H20¦h¦~ªº¬P²y¤j¾Ô¨t¦C¼v¤ù¶}©ç,¬P¾Ô«e¶Ç²Ä¤@¶°¥þ­±±Ä¥ÎM&K S-150­µ½c¾á¥ô­µÀW»s§@°Ñ¦Ò­µ½c.

M&K­µ½cªº³Ç¥Xªí²{,³°Äò¦¨¬°¬P¾Ô¨t¦C²Ä¤G¶°,²Ä¤T¶°ªº°Ñ¦Ò¨t²Î.
¡@ ¡@
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1998

 
¦¨¬°¬ü°ê¤ÓªÅÁ`¸p«ü©w¨Ï¥Î¾¹§÷
M&K S-150­µ½c+MX-5000¶W§C­µ
¡@
¡@ M&K¦¨¬°¬ü°ê¤ÓªÅÁ`¸pªº«ü©w¥Î½c.

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1999

¡@ We celebrate our 25th Anniversary!
M&K¼y¯¬¦¨¥ß25©P¦~¡I
   
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2000

First SELF-POWERED monitors introduced
(S-150P / MPS2510P)

M&K±À¥X¥D°Ê¦¡­µ½cS-150P, ¦¨¬°³»¦y¿ý­µ«Çªº¼Ð·Ç******§÷. ¦b2003¦~, S-150P¤É¯Å¬°S-150PK.

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¡@

2000

K SERIES introduced

K¨t¦Cµoªí¤F¡I¡I

¡@
XEN O N SERIES introduced

XENON¨t¦Cµoªí¤F¡I

¡@

...And, as part of our
Anniversary celebration, we
DOUBLE our Warranty,
the BEST IN THE INDUSTRY !

¦æ·~¤¤³Ì±jªº¤Q¦~«O¾i¶©­«±À¥X¡I¡I

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¡@

2001

¡@ M&K Moves to a new 66,000 Square Foot
facility in Chatsworth, California

M&KÁ`³¡¾E²¾¨ì66000 s.fªº·s¤u¼t, ¦ì©ó¬ü°ê¥[¦{ªºChatsworth. °ÑÆ[M&KÁ`³¡

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¡@

2001

¡@ M&K is a recipient of the coveted
The Absolute Sound Golden Ear Award

2001¦~M&KÀò±oT.A.Sª÷¦Õ¦·¼ú,ÅA¬°³Ì¨ã
­µÅT©Ê»P­µ¼Ö©Êªº²£«~.The Absolute Sound
¥D½sRobert E. Greene±N³o­Ó¼ú¶µ¹{µ¹M&K,
ªí´­M&K¦b­µ½c²£«~»P­µ¼Ö»â°ìªº°^Äm.

2001

¡@ M&K establishes an International Sales office in Europe headed by Mr. Lars Johansen

M&K¦b¼Ú¬w³]¥ß¤F°ê»Ú·~°È³¡¡C
­t³d¤HMr. Lars Johansen¡I

 


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2002

Five-time Academy Award winner Ben Burtt's system uses three S-150s for the front channels, two MX-350 powered subwoofers, and four SS-150 Tripole surround speakers. This M&K system was used to create the very first Surround EX soundtrack and was also used for Star Wars Episode II !
Ben Burtt¬OÀò±o¤­¦¸¶ø´µ¥dª÷¹³¼ú³Ì¨Î»s§@¤H,
¥L¿ï¥Î¤F¤TÁûS-150­µ½c»P¨â¹ïSS-150Àô¶­µ½c,
¥[¤WMX-350¶W§C­µ·í§@¥L§¹¦¨³o¤@¨Ç°¶¤jªº
§@«~ªº§Q¾¹. Ben Burttªº³o¤@®MM&K­µ½c»s§@¤F
¥@¬É¤W²Ä¤@¦¸ªºDolby Surround EX­µ­y©M¬P¾Ô2¤W¡I
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2002

¡@ Grammy Award winning Producer Of The Year Walter Afanasieff uses M&K Powered monitors in his Wally World Studios as more and more world-class studios discover the sonic accuracy of M&K
Àò±o2002¦~¸¯¨Ó¬ü¼ú¦~«×³Ì¨Î»s§@¤HªºWalter Afanasieff¨Ï¥Î¥þ®MM&K S-150P»PMX-5000¥D°Ê¦¡¹q¤l¤ÀÀW­µ½c»s§@¤F³\¦hÁzª¥¤H¤fªº¹q¼v»P­µ¼Ö.
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2002

¡@ ...such as the SONY HI-DEFINITION CENTER in Culver City, California

·í¤µDVD­µ®Ä»P¼v¹³ªº³Ì°ª¼Ð·Çªº¯Á¥§
Superbit DVD,¤w¸gµoªí¤F¤Q´X½LÁzª¥¤H¤f
ªº¶W¯Å½XDVD¼vºÐ,¨Ò¦p"±þ¤H¤T³¡¦±","ÅRÆE
¼b«½","ªÅ­x¤@¸¹"µ¥µ¥. Sony Superbit²V­µ
«Ç¦ì©ó¬ü°ê¥[¦{ªºCulver City,¦Û2002¦~°_
¨Ï¥ÎM&K­µ½cºÊÅ¥»s§@Superbit¼vºÐ.
¡@

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2002

¡@ ...and 5.1 ENTERTAINMENT in Hollywood, California

¬ü°ê 5 Point1 ¶°¹Î. ¸Ó¶°¹ÎºX¤U©Ò¦³
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2002

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Ken Kreisel is inducted into the Beverly Hills High School Hall of Fame, Class of '69

ªÖKreisel³Q¤Þ¤J¨ìBeverly ¤p¤s¦W¤H¬ö©À°ó¤¤¾Ç¡AClass of '69

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2003

¡@ M&K introduces the Column Surround TRIPOLE ? Speaker ¡X an industry first ¡X unique in that they may be placed behind a sofa (for example) therefore becoming invisible to the rest of the room!

¦b2003¦~M&Kµoªí¤F·s¥ß¦¡TRIPOLE?Àô¶­µ½c,
Åý¤@¯ë®a©~Àô¹Ò§ó®e©ö¦w¸Ë, ¤£»Ý­n±NÀô¶
­µ½c°ª±¾©óÀð¾À¤W, ´N¯à±o¨ì360«×¨¤ªº°ª«~½è
Àô¶­µ³õ. ¦b¤W¥«µuµu6­Ó¤ë¤º, CS-35Àô¶­µ½c
¤@Á|®³¤U¥|¶µµû¼f¤j¼ú, ¥´¯}¦³¥v¥H¨Óªº·~¬É¬ö¿ý.
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µû½×CS-35¬° "¦³¥v¥H¨Ó³Ì¥O¤HÅå³YªºÀô¶­µ½c"!
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2004


¡@ Originally developed to fill a need in the Professional world (quick but extremely accurate monitoring of multichannel / surround audio in a "machine room"), astute engineers started taking these (MPS-45's, now the MP-4512) home to have surround sound available from ONE CABINET - and a product was born !


¦b¨º¨Ç¾·~¥@¬É¤º³Ìªìµo®iº¡¨¬»Ý­n(°£¤F·¥¨äªº§Ö·Ç½TºÊ±±¦h³q¹D/¦b"¾÷¾¹ªÅ¶¡"¤º³ò¶­µÀW)¡A ¾÷±Ó¤uµ{®v¶}©l±a¦^³o¨Ç(MPS 45's¡A²{¦bªº MP-4512)¨ì®a©ñ¦b¤@­Ó¤pÃoÂdùبϥ¦µo¥X¤@ºØÀô¶ªºÁn­µ - ¦¹®É¤@ºØ²£«~­±¥@¡I

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2005

¡@ The new X-Series Subwoofers, Another Small Miracle From M&K , is introduced with new, more powerful amplifiers, new, dual-voltage worldwide power supplies, variable phase controls and more!

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2005

Again, in 2005 as in 1998, Rick McCallum, Producer of Star Wars Episode III, Revenge of the Sith , uses M&K Speakers.
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Rick McCallum³£«ü©w¨Ï¥ÎM&K³â¥z¡I
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¡XRick McCallum, Producer
Star Wars Episodes I, II, III
JAK Productions

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2005

We've raised the industry bar with our
exemplary PROFESSIONAL WARRANTY
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2006

2006¦~¦³¤°»ò·s¦sÀx§Ú­Ì¥¿¤ÞÂËSF¨t¦C¶W§Ö³t¤U¼ç§C­µ,¤@ºØ·s¨t¦Cªº°ª¿é¥X,§ó¥[ÆF±Ó,§ó¨ã¥Nªí©ÊªºÅX°Ê¨Ó§¹¦¨¥ô°È§Ú­Ì·sªºÂX¤j¾÷©Mheadroom maximizer¹q¸ô.³o­Ó¼W®ÄÁp¦X·|´£¨Ñ¤@­Ó§ó²M´·©M§ó°ª¿é¥Xªº¯u¹ê¥@¬É What's in store for 2006? We're introducing the SF Series of SUPERFAST DEEP BASS - a new series of higher output, more sensitive, and more responsive drivers to complement our new amplifier and headroom maximizer circuitry. This synergistic combination provides a real-world benefit of an increase in clarity and higher output !
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2006

Christopher Boyes ,M&Kªø´Á¥Î¤á, ¥H¹q¼v¡mª÷¿û¡nűo¤F¶ø´µ¥d ³Ì¨Î­µ®Ä²V¦X¼ú¶µ Christopher Boyes¨ä¹ê¤£¬O­º¦¸Àò±o¦¹®íºa¡C¥L²{¦b©ó¬ü°ê¥[¦{Skywalker Ranch Studio¾á¥ô²V­µ®v¡A¨Ã¥H¡mÅ]§Ù¤T³¡¦±¡n¡B¡m¬Ã¯]´ä¡n¥H¤Î¡mÅK¹F¥§¸¹¡n¤T¹Ü¶ø´µ¥d¡m³Ì¨Î­µÅT®ÄªG¡n¤j¼ú¡C
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"That sounds good, Mr. Boyes, let's print that one!"
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2007¦~¥Ñ­ì¤¦³Á°ÏÁ`¥N²z¶R¤UMK¬ü°êÁ`¤½¥q¤Î¨ä¥þ³¡±M§Q§Þ³N

¦¨¬°·sMKÁ`¤½¥q.¦æ¾P¥þ²y¨Ã±N¥þ¨t¦C²£«~§ï¨}.­µ½è¥~Æ[§¡¤j´T´£¤É.